

It’s likely that Owen was well aware that using perfect rhymes would make the poem sound far more like an upbeat song than he was interested in. Here, Owen connects the words “friend” and “frowned” and “killed” and “cold,” both examples of pararhyme. I parried but my hands were loath and cold.

Yesterday through me as you jabbed and killed. I knew you in this dark: for so you frowned The first two end words, “bestirred” and “stared” as examples as well as “hall” and “Hell.” These are not the only instances of pararhyme in this poem. Lifting distressful hands, as if to bless.Īnd by his smile, I knew that sullen hall,īy his dead smile I knew we stood in Hell. Then, as I probed them, one sprang up, and stared Too fast in thought or death to be bestirred. This is a war poem, one that was written during World War I when those reading would all have personal connections to the War and may have lost someone within its numerous battles.
#WORDS THAT RHYME WITH LAME FULL#
This poem is a wonderful example of how a poet used pararhyme in order to avoid the heavy-handed effect of full rhyme. It may also occur when a poet is attempting to maintain a rhyme scheme (and a metrical pattern) and needs to use a certain word, even though it doesn’t rhyme perfectly.Įxamples of Pararhyme in Poetry Strange Meeting by Wilfred Owen Poets use pararhyme for several different reasons, the most important being that they want words to rhyme but don’t want the rhyme scheme to be overpowering.

It may also occur within the middle of lines, creating what’s known as internal rhyme. Pararhyme is a form of rhyme that depends on the repetition of consonant sounds between words at the ends of lines.
